February 5, 2019
My review of Same Same ran in the NY Times on 2/5/19.
“In using nonsensical jargon to expose the hollow core of the global Big Ideas industry, Mendelsund has produced — or perhaps reproduced — something entirely satisfying. “Same Same” is a substantial book about emptiness. It reminds us that there’s no here here unless we create it ourselves.”
January 18, 2019
During the summer of 2018, I had the honor of accepting a Mary Valentine and Andrew Cosman research fellowship in the archives of the Strong National Museum of Play in Rochester, NY. For the novel I’m writing, I’ve been looking at how Dungeons & Dragons and other interactive games and RPGs might participate in ancient traditions of oral storytelling.
Here’s the excerpt:
“Back before we had blogs or even pencils and paper, humans told each other stories in caves and around the cooking fires. Epic poets would recite their tales from memory and for hours at a time, and these tales would be retold and embellished in much the same way the fish I caught a few summers ago has grown progressively larger every year since. That’s how stories work.”
The museum recently shared my research summary on their blog. You can read the whole post here.
November 26, 2018
My review ran on 11/26/18. You might find it here.
November 21, 2018
Here’s a look back at my writing and thinking life over the past year. After publishing Burning Down George Orwell’s House in 2015 (and paperback and French editions in 2016) and then Bit by Bit in 2017, it was a relatively quiet year for me.
“Readymade” appeared in Conjunctions 70
(Excerpt from my novel in progress.)
Kate Christensen for Los Angles Review of Books blog
Tayari Jones for Tin House
Daniel Torday for The Rumpus
Laura van den Berg for The Paris Review Daily
Feast Days by Ian MacKenzie for the New York Times Book Review
The Fall of Gondolin by J.R.R. Tolkien for the Washington Post. This review was also translated and published in France.
The Frolic of the Beasts by Yukio Mishima for the Washington Post
My Favorite Books of 2018
It was a strange year of reading for me. When I’m writing a novel, I tend to read very little contemporary fiction. Instead, I spend more time with poetry and nonfiction. In this case, I’m reading a great deal of folklore. I’ve also gone recently to some old favorites—in this case, The Brothers Karamazov and The Tiger’s Wife, the Sea of Fertility tetralogy and The Golden Bough, The White Goddess and The Pine Barrens. I’m sure I’m forgetting a ton of books I loved this year, but here are a few I adored:
Where the Dead Sit Talking by Brandon Hobson (Soho)
The Overstory by Richard Powers (Norton)
Ambiguity Machines by Vandana Singh (Small Beer Press)
The Odyssey by Homer as translated by Emily Wilson (Norton)
Museum of the Americas by J. Michael Martinez (Penguin)
On Haiku by Hiroaki Sato (New Directions)
Trickster Feminism by Ann Waldman (Viking)
Dungeons & Dragons Art & Arcana: A Visual History (Ten Speed Press)
How To Write An Autobiographical Novel by Alexander Chee (Mariner)
Conversations on Writing by Ursula K. Le Guin (Tin House)
A Good Comb by Muriel Spark (New Directions)
Favorite Records of 2018
Black Belt Eagle Scout “Mother of My Children”
Huffamoose “…And That’s When the Golfball Hit Me In the Head”
Nightmares on Wax “Shape the Future”
This is the Kit “Moonshine Freeze”
August 28, 2018
My review of The Fall of Gondolin ran online at Washington Post on 8/28.
“In detailing this vital — and indeed tragic — tale of Middle-earth lore, The Fall of Gondolin provides everything Tolkien’s readers expect. Given his ability to create unforgettable characters like Tuor and classical good-versus-evil myths, it’s no surprise these stories remain so massively popular. You don’t need a monster or a critic to tell you that.”
Update 8/30: This review was translated into French. Here’s a sample:
“Et pourtant, après avoir conçu et enseigné un cours universitaire consacré à J.R.R. L’œuvre singulière de Tolkien, j’en suis venu à apprécier l’élément littéraire qui les régit tous et rend la Terre du Milieu si remarquable. Avec des excuses à Westeros, Narnia et à tout ce que l’univers Star Wars s’appelle, la Terre du Milieu se présente comme le domaine de fiction le plus immersif et détaillé de notre époque en raison des différentes langues inventées par Tolkien – le philologue principal. Passer du temps dans la Terre du Milieu est l’occasion de se délecter de son comportement étymologique.”